Panorama view of exhibition in Jedlitschka Gallery, Zurich.

Panorama view of exhibition in Jedlitschka Gallery, Zurich.

23 May 2008

Post-Event Artworld Arising (Slowly?); C. Knight on Matthew Barney's 'REN'


Finally, an important critic takes a clear stance on "Event Art." Will the Consensus Curatorial World that feeds on such events be analyzed soon too?

Christopher Knight of the LA Times dissected Matthew Barney's 'REN' in a recent article.

"Cliches Abound"

"The first mistake Matthew Barney made in his corny two-hour performance, "REN," at a Santa Fe Springs car lot Sunday night, was in the choice of starring automobile. The 1967 Chrysler Imperial had obvious meanings.

The year is the artist's birth date. The make is Manhattan's iconic skyscraper, a star of Barney's five-part film, "The Cremaster Cycle." Lastly, the journey from Vietnam to Iraq in America's imperialist adventures abroad was spelled out on the car's front grille.

It was that kind of night. Clich├ęs were practically announced via bullhorn to several hundred invitation-only guests. So provincial was the vision of the West that a better headline star would have been a 1967 Chrysler New Yorker. "

...

"Consider the interminable event over not on the day the troops come home from Baghdad or a replacement for a petroleum-based economy is found, but on the night the Chrysler Imperial's car hood shows up on the turntable at Christie's auction house."

Read the rest here

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